Seattle chamber music society announces winter festival

Seattle, Jan. 9, 2025 — Seattle Chamber Music Society (SCMS) announces the programming for its 2025 Winter Festival, scheduled from January 24 to February 2. The two-week exploration, featuring music by 18 different composers, will showcase the most iconic works from 1850-1950, performed by the best musicians in the world.

The 2025 Winter Festival is sponsored by Ned and Dana Laird. The Virtual Concert Hall is generously sponsored by Diana K. Carey. Dave and Amy Fulton generously sponsor the 2024-2025 season.

Since 1982, SCMS has been a cornerstone of Seattle’s classical music scene, presenting world-class performances and enriching the community with its mission to make high-quality chamber music accessible to all. Every year, the SCMS Winter and Summer Festivals attract top musicians from around the globe to perform extraordinary celebrations of music at Nordstrom Recital Hall, Benaroya Hall.  Patrons worldwide also enjoy the concerts through the SCMS Virtual Concert Hall.

“Our 2025 Winter Festival is a celebration of the best our art form has to offer” said James Ehnes, the Gilbert Omenn and Martha Darling Artistic Director of SCMS. “It’s exhilarating to witness the alchemy of these world-class artists performing in unique chamber music contexts and an absolute thrill to share this incredible music with audiences near and far,” he adds.

The 2025 Winter Festival promises to exemplify the excellence, creativity, and passion that defines Seattle Chamber Music Society. Week 1 will transport audiences to the second half of the 19th century, featuring masterworks from Brahms, Tchaikovsky, and Dvořák, alongside exciting discoveries from Amy Beach and Samuel Coleridge-Taylor. In week 2, concert-goers venture into the 20th century, where the program explores the progression from late-Romantic brilliance to the bold, dramatic language of composers like Shostakovich, Prokofiev, and Bartók.

To view the full schedule and order single tickets or season subscriptions, click HERE.

WEEK 1: 1850-1900

—Friday, January 24—

Concert | 7:30 p.m.

• Amy Beach: Romance for Violin and Piano, Op. 23
  Bella Hristova, Gloria Chien

• Cécile Chaminade: 3 Morceaux for Violin and Piano, Op. 31
  Bella Hristova, Gloria Chien

• Alexander Borodin: String Quintet in F minor
  Timothy Chooi, Njioma Grevious, Jonathan Vinocour, Yegor Dyachkov, Efe Baltacıgil

• Johannes Brahms: Piano Quintet in F minor, Op. 34
  Ieva Jokubaviciute, Erin Keefe, Blake Pouliot, Rebecca Albers, Ani Aznavoorian

Free Pre-Concert Recital | 6:30 p.m. (In-Person Only)

• César Franck: Violin Sonata in A Major, M. 8
  Timothy Chooi, Gloria Chien

—Saturday, January 25—

Concert | 7:30 p.m.

• Robert Schumann: Violin Sonata No. 1 in A minor, Op. 105
  Blake Pouliot, Ieva Jokubaviciute

• Samuel Coleridge-Taylor: Piano Quintet in G minor, Op. 1
  Gloria Chien, Njioma Grevious, Bella Hristova, Rebecca Albers, Yegor Dyachkov
  Piotr Ilyich Tchaikovsky: String Quartet No. 1 in D Major, Op. 11, “Accordion”
  Erin Keefe, Timothy Chooi, Jonathan Vinocour, Ani Aznavoorian

Free Pre-Concert Recital | 6:30 p.m. (In-Person Only)

• Nokuthula Ngwenyama: Miasma

• Dobrinka Tabakova: Pirin

• David Ludwig: Moto Perpetuo

• Ellen Taaffe Zwilich: Fantasy for Solo Violin

  Bella Hristova

—Sunday, January 26—

Concert | 2 p.m.

• Antonín Dvorák: Selections from Cypresses for String Quartet, B. 152
  Bella Hristova, Njioma Grevious, Jonathan Vinocour, Ani Aznavoorian

• Camille Saint-Saëns: Violin Sonata No. 1 in D minor, Op. 75
  Timothy Chooi, Ieva Jokubaviciute

• César Franck: Piano Quintet in F minor, Op. 14
  Gloria Chien, Blake Pouliot, Erin Keefe, Rebecca Albers, Yegor Dyachkov

Free Pre-Concert Recital | 1 p.m. (In-Person Only)

• Wolfgang Amadeus Mozart: Duo in G Major for violin and viola, K 423

• Bohuslav Martinů: Three Madrigals for Violin and Viola, H. 313
  Blake Pouliot, Jonathan Vinocour

WEEK 2: 1900-1950

—Friday, January 31—

Concert | 7:30 p.m.

• Béla Bartók: Sonata for 2 Pianos and Percussion, Sz. 110

• Alessio Bax, Orion Weiss, Eric Schweikert, Michael Werner

• Georges Enescu: String Octet in C Major, Op. 7
  James Ehnes, Amy Schwartz Moretti, Jun Iwasaki, Grace Park, Che-Yen Chen, Milena Pajaro-van de Stadt, Edward Arron, Bion Tsang

Free Pre-Concert Recital | 6:30 p.m. (In-Person Only)

Academy for Chamber Music

• Anton Arensky: Piano Trio No. 1 in D minor, Op. 32
  I. Allegro moderato
  Eura Trio - Taiyo Oishi, piano; Rachel Jung, violin; Charlie Lee, cello 

• Felix Mendelssohn: String Quartet No. 3 in D Major, Op. 44, No. 1
  I. Molto allegro vivace
  Le Quatuor de la Lune
  Hana Gottesman & Emma Le Metzger, violins; Jayden Chae, viola; Leyna Kitahama, cello

—Saturday, February 1—

Concert | 7:30 p.m.

• Rebecca Clarke: Sonata for Viola and Piano
  Milena Pajaro-van de Stadt, Orion Weiss

• Sergei Prokofiev: String Quartet No. 2 in F Major, Op. 92
  Grace Park, Jun Iwasaki, Che-Yen Chen, Bion Tsang

• Erich Wolfgang Korngold: Suite for Piano Left Hand, 2 Violins, and Cello, Op. 23
  Alessio Bax, James Ehnes, Amy Schwartz Moretti, Edward Arron

Free Pre-Concert Recital | 6:30 p.m. (In-Person Only)

• Erich Wolfgang Korngold

  • Much Ado About Nothing, suite for violin & piano, Op. 11

  • Tanzlied des Pierrot” from Die tote Stadt, Op. 12 for Violin and Piano

  • “Marietta’s Lied” from Die tote Stadt, Op. 12 for Violin and Piano
    James Ehnes, Orion Weiss

—Sunday, February 2—

Concert | 2 p.m.

• William Grant Still: Suite for Violin and Piano
  Jun Iwasaki, Alessio Bax

• Dmitri Shostakovich: Piano Trio No. 2 in E minor, Op. 67
  Grace Park, Efe Baltacıgil, Orion Weiss

• Arnold Schoenberg: Verklärte Nacht (Transfigured Night), Op. 4
  James Ehnes, Amy Schwartz Moretti, Che-Yen Chen, Milena Pajaro-van de Stadt, Edward Arron, Bion Tsang

Free Pre-Concert Recital | 1 p.m. (In-Person Only)

• Edvard Grieg: Violin Sonata No. 3 in C minor, Op. 45
  Grace Park, Alessio Bax

About Seattle Chamber Music Society

The mission of Seattle Chamber Music Society is to foster the appreciation of chamber music by presenting performances, both in-person and online through the Virtual Concert Hall, that feature world-class musicians in accessible and inviting formats, with an emphasis on developing a broad-based sustainable audience through education and community outreach. Each year, SCMS presents a Winter Festival in January and a Summer Festival in July at the Illsley Ball Nordstrom Recital Hall at Benaroya Hall, bringing the world’s finest classical musicians to the stage. These intimate chamber music performances captivate both seasoned enthusiasts and newcomers alike. In addition to its renowned festivals, SCMS offers an expanded year-round lineup, including the new Signature Series, Crescendo Concerts in Seattle’s most stunning homes, and Concerts at the Center for Chamber Music, providing unparalleled access to extraordinary musical experiences. 

 SCMS also enriches the community through dynamic engagement programs designed for audiences of all ages. From inspiring young learners in elementary schools to enriching lives in retirement communities, and from performances in hospitals and parks to concerts on wheels, SCMS remains steadfast in its mission to bring world-class chamber music to every corner of our community.

Congratulations to our GRAMMY nominees!

8VA clients Andy Akiho (composer and percussionist) and Gerard Schwarz (conductor) have been nominated for the GRAMMY® Awards.

Best Classical Instrumental Solo 
“Longing” by Andy Akiho

Best Classical Compendium
“BeLonging” by Andy Akiho

Andy Akiho & Imani Winds
Andy Akiho, Sean Dixon and Mark Dover: producers

Aki Rhythm Productions
Click to stream album

BeLonging is a series of tight, highly choreographed movements for wind quintet and steel pan that speak to the universality of humanity, even — especially — when that humanity is bound.

Be Loud!
Be Loved!
Be Longing!

The piece was conceived by Imani Winds and Andy Akiho, who composed all the music. It was premiered on October 26, 2022, at Kaufman Music Center’s Merkin Hall, New York City, as part of the Ecstatic Music Series. The compositions were commissioned by the Imani Winds, with support from the Concert Artist Guild’s Richard Weinert Award for Innovation in Classical Music, and the National Endowment for the Arts.

Best Opera Recording

“The Shining” by Paul Moravec and Mark Campbell

Kansas City Symphony
Lyric Opera of Kansas City Chorus
Gerard Schwarz, conductor
Edward Parks: Jack (baritone)
Kelly Kaduce: Wendy (soprano)
Tristan Hallett: Danny
Blanton Alspaugh, producer

Pentatone
Click to stream album

The 2016 opera The Shining, based on Stephen King's novel, “elevates the tale from horror story to a human drama” (Wall Street Journal) through an electrifying score by composer Paul Moravec and a deft libretto by Mark Campbell, both of whom are Pulitzer Prize winners. After several critically acclaimed performances, you can now enjoy The Shining as a recording for the first time, with Gerard Schwarz conducting the Lyric Opera of Kansas City.

Congratulations Andy and Jerry!

Marc-André Hamelin’s latest album featured on the new york times

He’s done it again. Marc-André Hamelin, one of the supreme piano virtuosos of our time, has landed on the New York Times’ highly selective “5 Classical Music Albums You Can Listen to Right Now” monthly feature, for the second time this year. This time, though, it’s for Hamelin’s first recording of music by Beethoven. He recorded the mighty Hammerklavier sonata, a 45-minute behemoth that is one of the true pinnacles of the repertoire. The album was released on October 4, on Hyperion Records, and is paired with an early Beethoven sonata — Op 2 No 3, in C major.

The transcendental difficulties of the Hammerklavier — by far Beethoven’s longest piano sonata, and in his view also his finest, and the only sonata for which he supplied metronome marks — will always deter all but the greatest pianists of the day, with only a select few able to master its formidable musical, emotional and technical challenges.

“Hamelin marshals his considerable skills for a reading of the “Hammerklavier” that clarifies and illuminates rather than simply overpowers,” writes the critic David Weininger.

Key to this achievement are a lighter touch and precise articulation that put some spring into Beethoven’s dense chords in the opening movement. If Hamelin misses the edgy satire in the Scherzo, his way with the great Adagio seems near-perfect, mesmerizing but always with a quiet sense of forward motion. As for the legendarily taxing fugue in the finale, once thought to be unplayable, he makes it sound improbably pianistic.

See the full piece HERE.

Leonard Slatkin Featured on Gramophone

Ahead of Leonard Slatkin’s 80th birthday on September 1, Gramophone magazine celebrates the illustrious American conductor with a full-length feature that covers his musical family, his time with the St. Louis Symphony Orchestra, his slew of recordings of unusual repertoire, and his American Sound Initiative.

By Thomas May

His vivid curiosity is unmistakable in the variety of projects planned for this milestone birthday year. These range from publishing a pair of books and spending more time on his own composition to launching a new partnership as artistic consultant to the Las Vegas Philharmonic. Appearances on the podium are naturally also on the calendar. This autumn brings reunions with the three American orchestras indelibly shaped by Slatkin’s years at their helm (in St Louis, Washington DC and Detroit); some international conducting engagements beckon as well.

To read the full piece, click here.

Leonard-Slatkin (© Cindy McTee)

“The Righteous” featured in the Wall Street Journal’s Arts Calendar

The Wall Street Journal selected this weekend’s premiere of The Righteous, a new piece presented by Santa Fe Opera, as one of its highly selective arts calendar picks for the week.

The Righteous was created by two of America's most exciting talents, composer Gregory Spears (Fellow Travelers, O Columbia, Paul's Case and A New Sanctus, Benedictus and Agnus Dei) and librettist Tracy K. Smith (To Free the Captives, Life on Mars, Ordinary Life: A Memoir and Such Color: New and Selected Poems), who is a former U.S. Poet Laureate and Pulitzer Prize winner.

The opera explores the intersection between genuine faith and political power in the American Southwest of the 1980s. Along the way, the characters’ sacred love for God becomes entwined with the complicated realities of their romantic lives. This is the second operatic collaboration between Spears and Smith, whose Castor and Patience, from 2022, was nominated for Best World Premiere at the International Opera Awards.

Six performances are scheduled: July 13, 17, 26, 30; and August 7 and 13, 2024.

Leonard Slatkin Receives Abu Dhabi Festival Lifetime Achievement Award

On June 14, Leonard Slatkin — one of the great American conductors, celebrating his 80th birthday this year — received the Abu Dhabi Festival Lifetime Achievement Award at Disney Hall, in Los Angeles. The celebration was part of a concert sponsored by the Abu Dhabi Music and Arts Festival. There was music by 21 composers, including 10 world premieres. The special program honored the visual artist Bob Peak (1927–1992), whose artwork includes posters for the classic films West Side Story, Superman: The Movie, Star Trek: The Motion Picture, Apocalypse Now, Silverado, My Fair Lady, and Camelot.

Film music author and Historian Jon Burlingame explained, “It's rare when an evening at the symphony combines music and art so brilliantly. Friday night's ‘Pictures at an Exhibition’ concert was both a tribute to legendary movie-poster artist Bob Peak and a collection of superb compositions inspired by Peak's paintings.” The Los Angeles Film Orchestra, under the direction of Maestro Slatkin, performed film-music classics accompanied by Bob Peak’s original artwork.

Leonard Slatkin conducts the Los Angeles Film Orchestra_ Bob Peak concert (credit: Kyle Espeleta)

Slatkin commented that his parents played in orchestras at 20th Century-Fox and Warner Bros. throughout the 1950s and '60s. Impresario and host Robert Townson spoke of his relationship working with Bob Peak, commissioning a portrait of composer Jerry Goldsmith for a Masters Film Music release in 1988, even pre-dating his 30-year career with Varèse Sarabande Records. Townson explained this concert was based on an idea and dream he had for over 25 years.

For the second half of the concert, Townson realized his vision of a 10-movement concept inspired by Mussorgsky’s “Pictures at an Exhibition.” Townson created a modern-day interpretation by commissioning 10 contemporary composers—most of whom are primarily known for their film work—to pen new pieces inspired by Peak's non-film work. These ranged from Mychael Danna's moving musical portrait of Mother Teresa, Jeff Beal's reminiscence of the 1964 New York World's Fair, Harry Gregson-Williams' charming "Two Girls with Sparklers” to Don Davis' powerful anthem inspired by Peak's 1978 portrait of golden eagles in flight, and an original song tribute for an Audrey Hepburn painting, written and sung by Tony-winner Marc Shaiman.

Leonard Slatkin, Thomas Peak, Robert Townson (credit: Kyle Espeleta)

The event was co-produced by Robert Townson Productions and the Abu Dhabi Festival. LA Mayor Karen Bass presented a certificate of recognition to the Founder of the Abu Dhabi Festival, Her Excellency Huda Alkhamis-Kanoo, for her unwavering dedication and commitment to global philanthropic efforts and her role as a patron of the arts. Her Excellency presented two Abu Dhabi Festival Awards recognizing outstanding lifetime contributions to arts and culture. The first was presented to conductor Leonard Slatkin, and the second was posthumously awarded to artist Bob Peak. His son, Thomas Peak, accepted on the family’s behalf. Thomas Peak presented one of his father’s paint brushes to Robert Townson.

Robert Townson_ Bob Peak concert_5_Matthew Joseph Peak (credit: Kyle Espeleta)

Congratulations, Maestro Slatkin!

Pulitzer Prize-winner Anthony Davis and Bodhi Tree announce 2026 world premiere of bilingual ‘Pancho Rabbit’ opera

After a seven-year gestation, Pulitzer Prize-winning composer Anthony Davis and San Diego’s Bodhi Tree Concerts have announced that Davis’ bilingual chamber-opera adaptation of the children’s book “Pancho Rabbit and the Coyote: A Migrant’s Tale” will receive its world premiere in January 2026 in both San Diego and Tijuana.

Combining elements of allegory, fable and social commentary, the chamber-opera is based on author Duncan Tonatiuh’s award-winning 2013 children’s book of the same name, which addresses current immigration issues and is set at the U.S.-Mexico border.

It will be sung in English, Spanish and a “border slang” combination of the two languages. The characters include the titular rabbit, a coyote, a snake, and monarch butterflies that freely migrate each year between the U.S. and Mexico.

Read the full article here.

Graeme Steele Johnson’s “forgotten sounds” project featured on the Washington Post

While doing research on Charles Martin Loeffler's “Two Rhapsodies for Oboe, Viola and Piano,” for a program note, the clarinetist, arranger, and writer Graeme Steele Johnson found references to an unknown octet by the same composer. Though we don't hear much about Loeffler these days, he was hailed as “the Dean of American composers” at the time of his death in 1935.

Graeme found no recordings or score, realizing that the piece had been unheard, unperformed, and unpublished for more than 125 years (it had only received two performances, in 1897). He ultimately tracked the manuscript down to the archives of the Library of Congress and spent a year editing it, which was full of erasures and corrections. It was “an adventure in musical archaeology.”

“It kind of goes with this lost-and-found theme,” Graeme says in this wonderful feature, for which Graeme talked to Michael Brodeur, the classical music critic from the Washington Post., ahead of a performance of the piece on May 22 at the Library of Congress. “With hope that Loeffler’s octet and all of the other wonderful, deserving music that has somehow slipped through the cracks will follow Schubert into the musical pantheon.”

The album, Forgotten Sounds, featuring the premiere recording of Graeme's edition of the octet, is available on June 7, 2024.

Read the full piece on The Washington Post.

Marc-André Hamelin Featured on "5 Classical Music Albums You Can Listen to Right Now," by The New York Times

On Feb. 2, 2024, our esteemed client Marc-André Hamelin, a superstar pianist of world renown, released New Piano Works on Hyperion, his first album in 14 years that features his own music exclusively. It has amassed superlative reviews since; the latest is by the New York Times. Critic Seth Colter Walls selected New Piano Works for the Times’ “5 Classical Music Albums You Can Listen to Right Now,” published on April 25, 2024.

The Canadian virtuoso Marc-André Hamelin is persuasive in a wide span of repertoire that includes C.P.E. Bach, Frederic Rzewski and William Bolcom. He also composes. His 1998 album “The Composer-Pianists” was a sweeping survey that also included selections from his 12 Etudes in all the Minor Keys, which he released in their entirety in 2010.

His previous offerings of his own music were rich, but his latest self-portrait album is on another level. As before, he is a devoted tipper-of-the-cap: This set’s opening “Variations on a Theme of Paganini,” from 2011, nods to one of Rachmaninoff’s riffs on that much-adapted Caprice No. 24. It’s all good fun, but there is another quality on this set that moves well beyond a game of spot the quotation. Call it a more sumptuous synthesis.

Even as Hamelin’s “Suite à l’Ancienne” (2019) and “Pavane Variée” (2014) blend vintage forms and tunes with advanced harmonic trappings, his well-documented affection for jazz also peeks through. That’s not so surprising, since he has played jazz-influenced sonatas and études by Nikolai Kapustin, too. But Hamelin’s particular feel for incorporating blues sonorities strikes me as less of a pastiche than Kapustin’s — even when he is mixing American textures with 16th-century chanson. It’s probably time to add the epaulet of “rising composer” to this pianist’s already imposing biography.

SETH COLTER WALLS

A Starry Night of Contemporary Composition Under the LA Phil’s Green Umbrella

SAN FRANCISCO CLASSICAL VOICE
By Richard S. Ginell

Here in a nutshell is what went on under the Green Umbrella at Walt Disney Concert Hall on Tuesday night, April 16.

There were no less than five world premieres, four of which kicked off a promising project, LA Phil Etudes, along with a fifth by Canadian-born composer Zosha Di Castri. Anthony Davis, famed for his operas X: The Life and Times of Malcolm X and The Central Park Five, was present to take in his terrific jazz-drenched clarinet concerto, You Have the Right to Remain Silent. LA Phil Creative Chair John Adams conducted.

It all went more than well. This was a consistently stimulating evening of new music, sometimes in surprising ways.

Read more here.