Strings: Heavy Metal Meets Classical: Rachel Barton Pine Finds a Common Ground

Strings
By Thomas May

Stickers for Metallica, Slayer, and Anthrax are emblazoned on the case that contains Rachel Barton Pine’s signature “ex-Bazzini, ex-Soldat” Joseph Guarneri del Gesù from 1742. The charismatic violinist doesn’t just defy categories. Her life as an artist is fueled by omnivorous curiosity, which Pine combines with searing musical intelligence and an impeccable virtuosity—all in the service of finding a deep connection to her audience.

The span of Pine’s interests reinforces the inadequacy of the catch-all label “classical music.” Her commitment to early music alone ranges from the medieval period to rediscovered gems of the Baroque. Pine, who celebrates her milestone 50th birthday later this year, has recorded acclaimed interpretations of standard classical repertoire but is also an avid champion of contemporary composers. Her prolific discography, which comprises more than 30 albums to date, additionally documents the violinist’s passion for Chicago blues, Scottish fiddling, and heavy metal.

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