Fifteen Questions: Sandbox Percussion about Interpretation
When did you first start getting interested in musical interpretation?
Jonny Allen: The concept of interpretation first really came across my radar in college. Up until that point, I was mostly concerned with playing the music as faithfully as possible. This often meant playing as similarly as I could to recordings I found.
Many of my musical experiences were in the drumline of a marching band, where interpretation is all about precision and consistency. Dynamics are measured in the number of inches your sticks come off the drum, rhythms are meticulously subdivided and played with the utmost exactitude.
Fifteen Questions
When did you first start getting interested in musical interpretation?
Jonny Allen: The concept of interpretation first really came across my radar in college. Up until that point, I was mostly concerned with playing the music as faithfully as possible. This often meant playing as similarly as I could to recordings I found.
Many of my musical experiences were in the drumline of a marching band, where interpretation is all about precision and consistency. Dynamics are measured in the number of inches your sticks come off the drum, rhythms are meticulously subdivided and played with the utmost exactitude.
I actually think this was a healthy first step, but in college I realized how much further the subject of interpretation goes. Can you have a unique interpretation? Should you do that and if so why?
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