Memeteria: A Homecoming for the Grand Teton Music Festival
It’s only my first time in these parts, but already I can understand the deep, magnetic sense of connection that draws people back here again and again. Upon passing through the elk antler arch at Jackson Hole Airport (the only U.S. airport located within a national park, incidentally), I soon began to feel the charm of a place that hasn’t been flattened out by plastic predictability. Even with lingering smoke from the latest Western fires imposing a thin pall, the capacity for this landscape to inspire awe was undimmed.
Memeteria
Thomas May
It’s only my first time in these parts, but already I can understand the deep, magnetic sense of connection that draws people back here again and again. Upon passing through the elk antler arch at Jackson Hole Airport (the only U.S. airport located within a national park, incidentally), I soon began to feel the charm of a place that hasn’t been flattened out by plastic predictability. Even with lingering smoke from the latest Western fires imposing a thin pall, the capacity for this landscape to inspire awe was undimmed.
With its marriage of valley and dramatic, looming scarps, it’s obvious how the Jackson Hole area beckoned as an ideal spot to make music. The Grand Teton Music Festival opened on 2 July, following the all-too-familiar hiatus, and is now into Week 4 of a seven-week season — which also marks the Festival’s 60th anniversary.
Read more here.