South Florida Classical Review: Schwarz leads the Frost Symphony in a fiery and relentless “Rite of Spring”
Since Gerard Schwarz joined the faculty of the University of Miami’s Frost School of Music in 2019, he has led the Frost Symphony Orchestra in some fine performances. But the American conductor exceeded all previous efforts with a thrilling rendition of Igor Stravinsky’s Le Sacre du printemps Saturday night at UM Gusman Concert Hall.
When Stravinsky’s ballet score premiered in Paris in 1913, a riot broke out in an audience shocked by the music’s dissonance and harmonic audacity. Almost one hundred and ten years later, The Rite of Spring can still can give listeners a jolt in the best possible way. Stravinsky’s score changed the course of music and Schwarz’s reading brought out the work’s daring originality and sweeping dynamism.
South Florida Classical Review
By Lawrence Budmen
Since Gerard Schwarz joined the faculty of the University of Miami’s Frost School of Music in 2019, he has led the Frost Symphony Orchestra in some fine performances. But the American conductor exceeded all previous efforts with a thrilling rendition of Igor Stravinsky’s Le Sacre du printemps Saturday night at UM Gusman Concert Hall.
When Stravinsky’s ballet score premiered in Paris in 1913, a riot broke out in an audience shocked by the music’s dissonance and harmonic audacity. Almost one hundred and ten years later, The Rite of Spring can still can give listeners a jolt in the best possible way. Stravinsky’s score changed the course of music and Schwarz’s reading brought out the work’s daring originality and sweeping dynamism.
Set to a scenario of a pagan rite with a sacrifice of a young woman, the music churns with primitive rhythms. Schwarz’s crisp pacing made every change of meter meticulously clear and precise. From the opening bassoon solo, wind details were lucidly projected and the brass roared in fierce tones without overpowering the full ensemble. Schwarz drew huge sonorities and astutely calibrated dynamics from the players, elucidating the shifting moods of Stravinsky’s creation.
Read more here.