The Strad: Postcard from Hong Kong: Musicus Fest
The Strad
By Thomas May
Cross-cultural and intergenerational exchange is the engine that drives cellist Trey Lee’s Musicus Fest, as Thomas May discovered at its eleventh edition
Cloud-piercing skyscrapers nestled amid sea, mountains and lush green spaces: Hong Kong is a captivating marvel of stunning yet harmonious contrasts. This densely populated, cosmopolitan metropolis surrounded by the South China Sea is best known as a financial hub and magnet for shoppers and culinary adventurers.
It’s also an environment particularly well suited to Musicus Society’s mission of promoting cross-cultural collaboration. ‘“East meets West” might be a cliché elsewhere, but in Hong Kong, it is literally what happens,’ said cellist Trey Lee, artistic director of the Hong Kong society he co-founded with his sister Chui-Inn Lee in 2010. ‘This may even be the original East-meets-West centre of the world.’
Although he has long been based in Berlin, Lee is also a musical thought leader who maintains tight connections with his native Hong Kong. He resolved to establish Musicus Society as a result of his personal experience studying abroad (initially in the US, subsequently across Europe). ‘One thing that always struck me when I worked with other musicians or won competitions was that nobody was expecting to meet a cellist from Hong Kong,’ Lee explained during my visit. ‘Hong Kong has so many young people studying classical music; I think the world needs to know that the city is not just a business and finance capital.’
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