Slate: Malcolm X’s Story, Told Through Opera by Anthony Davis
This week, host Isaac Butler talks to Anthony Davis, a Pulitzer Prize winning opera composer whose work includes the 1986 opera X: The Life and Times of Malcolm X, which was recently revived and produced for the Metropolitan Opera. In the interview, Anthony discusses the inspiration for X and the many genres he drew from to compose its music. He also talks about how to craft a story using music and why it’s important to him to make political art.
After the interview, Isaac and co-host June Thomas discuss creative career pivots and the act of finding inspiration from eavesdropping.
In the exclusive Slate Plus segment, Anthony and Isaac talk about their mutual love of science fiction.
SLATE
By Isaac Butler
This week, host Isaac Butler talks to Anthony Davis, a Pulitzer Prize winning opera composer whose work includes the 1986 opera X: The Life and Times of Malcolm X, which was recently revived and produced for the Metropolitan Opera. In the interview, Anthony discusses the inspiration for X and the many genres he drew from to compose its music. He also talks about how to craft a story using music and why it’s important to him to make political art.
After the interview, Isaac and co-host June Thomas discuss creative career pivots and the act of finding inspiration from eavesdropping.
In the exclusive Slate Plus segment, Anthony and Isaac talk about their mutual love of science fiction.
Listen here.
Photo Credit: Micah Shumake
BBC Music Magazine: Amelia Earhart: how the tragic story of the aviation pioneer inspired a thrilling new violin concerto for Anne Akiko Meyers
Legendary adventurer and feminist icon Amelia Earhart set two world records in 1932 – flying alone across the Atlantic Ocean in 15 hours, becoming the first woman and only the second person in history to do so; and subsequently flying non-stop across the US, again the first time a woman had achieved the feat.
These magnificent records made Earhart an instant worldwide sensation. Independent and adventurous since childhood, she knew on her very first flight in December 1920 with experienced pilot Frank Hawks that her place was in the air. ‘As soon as I left the ground, I knew I myself had to fly,’ she revealed.
BBC Music Magazine
By Charlotte Smith
Legendary adventurer and feminist icon Amelia Earhart set two world records in 1932 – flying alone across the Atlantic Ocean in 15 hours, becoming the first woman and only the second person in history to do so; and subsequently flying non-stop across the US, again the first time a woman had achieved the feat.
These magnificent records made Earhart an instant worldwide sensation. Independent and adventurous since childhood, she knew on her very first flight in December 1920 with experienced pilot Frank Hawks that her place was in the air. ‘As soon as I left the ground, I knew I myself had to fly,’ she revealed.
Read more here.
Photo Credit: Getty Images
UC San Diego Today: A Standing Ovation for Opera Icon Anthony Davis
This January, UC San Diego Distinguished Professor of Music Anthony Davis was inducted into the Opera Hall of Fame. The honor comes on the heels of an immensely successful production of “X: The Life and Times of Malcolm X” at the Metropolitan Opera, a work he composed 37 years ago, and which drew packed houses nearly nightly. “It was a fantastic experience, one of the highlights of my life,” he shared.
A Pulitzer prize-winning musician who has written eight operas thus far, Davis is unafraid to spotlight some of society’s most pervasive problems—from racism and police brutality to immigration reform and political unrest. Yet the weighty topics are counterbalanced by a sense of play and an affinity toward “trickster” characters that are difficult to pin down. His four-decade dedication to composing music that elevates unsung voices contributed to his selection by Opera America as an artist who has strengthened the field—one of only five composers to be honored in the history of the award.
UC San Diego Today
By Erika Johnson
This January, UC San Diego Distinguished Professor of Music Anthony Davis was inducted into the Opera Hall of Fame. The honor comes on the heels of an immensely successful production of “X: The Life and Times of Malcolm X” at the Metropolitan Opera, a work he composed 37 years ago, and which drew packed houses nearly nightly. “It was a fantastic experience, one of the highlights of my life,” he shared.
A Pulitzer prize-winning musician who has written eight operas thus far, Davis is unafraid to spotlight some of society’s most pervasive problems—from racism and police brutality to immigration reform and political unrest. Yet the weighty topics are counterbalanced by a sense of play and an affinity toward “trickster” characters that are difficult to pin down. His four-decade dedication to composing music that elevates unsung voices contributed to his selection by Opera America as an artist who has strengthened the field—one of only five composers to be honored in the history of the award.
Read more here.
Photo Credit: Marty Sohl/Met Opera
WETA: Rachel Barton Pine Speaks about Music by Black Composers
In 1997, I was invited to record my first concerto album. As I was quite young, I decided to wait a little longer before doing major concertos like Brahms, Mendelssohn, and Beethoven (all of which I’ve since recorded). Instead, the plan was to find some overlooked but wonderful repertoire for violin and orchestra. Thanks to the African-American conductors active in my hometown of Chicago when I was a teenager – Michael Morgan, Paul Freeman, and Coleridge-Taylor Perkinson – I was aware that there were numerous fantastic works by composers of African descent going all the way back to the 1700s. As a fan of the violin, I was really excited by the idea of introducing violin repertoire to the public which would be new discoveries for almost everyone.
During one of my excursions to a library archive, I saw a huge replica of an historic painting on the wall – a Black man in an 18th-Century wig with a sword and a violin. Whoa! Awesome album cover alert! Of course, it was Joseph Bologne, the Chevalier de Saint-Georges, and I fell in love with his music. I included his Violin Concerto in A Major on my album, Violin Concertos by Black Composers Through the Centuries, alongside works by José White and Samuel Coleridge-Taylor (and now Florence Price, in the 25th anniversary re-release).
WETA
Editor's Note: Critically-acclaimed violin soloist Rachel Barton Pine writes this guest blog, speaking about her foundation's initiative, Music By Black Composers.
In 1997, I was invited to record my first concerto album. As I was quite young, I decided to wait a little longer before doing major concertos like Brahms, Mendelssohn, and Beethoven (all of which I’ve since recorded). Instead, the plan was to find some overlooked but wonderful repertoire for violin and orchestra. Thanks to the African-American conductors active in my hometown of Chicago when I was a teenager – Michael Morgan, Paul Freeman, and Coleridge-Taylor Perkinson – I was aware that there were numerous fantastic works by composers of African descent going all the way back to the 1700s. As a fan of the violin, I was really excited by the idea of introducing violin repertoire to the public which would be new discoveries for almost everyone.
During one of my excursions to a library archive, I saw a huge replica of an historic painting on the wall – a Black man in an 18th-Century wig with a sword and a violin. Whoa! Awesome album cover alert! Of course, it was Joseph Bologne, the Chevalier de Saint-Georges, and I fell in love with his music. I included his Violin Concerto in A Major on my album, Violin Concertos by Black Composers Through the Centuries, alongside works by José White and Samuel Coleridge-Taylor (and now Florence Price, in the 25th anniversary re-release).
When I released this record, I was just thinking, this is gorgeous violin music that should have been part of our canon all along, and I’m excited to share it! Almost immediately, I started receiving numerous requestions from students, parents, and teachers, asking for more of this repertoire.
Read more here.
Photo Credit: Lisa-Marie Mazzucco
Classical Voice North America: ‘X’ At Last Marks Spot For Anthony Davis In World Of Modern Opera
When the New York City Opera officially premiered Anthony Davis’ first opera, X: The Life and Times of Malcolm X, in 1986, the composer garnered considerable attention, and his career appeared poised for a big take-off.
But things quickly stalled. X was not revived in the immediate decades that followed. Though he continued to write more operas, including Amistad, which debuted at Lyric Opera of Chicago in 1997, Davis’ career did not live up to the initial burst of adulation.
Then, everything suddenly changed, starting in 2020. His latest opera, The Central Park Five, won him a long-overdue Pulitzer Prize for Music, still the ultimate honor for composers. And in November 2023, a revised version of X made it to the stage of New York’s Metropolitan Opera, a production that served as a huge vindication.
Classical Voice North America
By Kyle MacMillan
When the New York City Opera officially premiered Anthony Davis’ first opera, X: The Life and Times of Malcolm X, in 1986, the composer garnered considerable attention, and his career appeared poised for a big take-off.
But things quickly stalled. X was not revived in the immediate decades that followed. Though he continued to write more operas, including Amistad, which debuted at Lyric Opera of Chicago in 1997, Davis’ career did not live up to the initial burst of adulation.
Then, everything suddenly changed, starting in 2020. His latest opera, The Central Park Five, won him a long-overdue Pulitzer Prize for Music, still the ultimate honor for composers. And in November 2023, a revised version of X made it to the stage of New York’s Metropolitan Opera, a production that served as a huge vindication.
Read more here.
Photo Credit: Winslow Townson
Strings: Heavy Metal Meets Classical: Rachel Barton Pine Finds a Common Ground
Stickers for Metallica, Slayer, and Anthrax are emblazoned on the case that contains Rachel Barton Pine’s signature “ex-Bazzini, ex-Soldat” Joseph Guarneri del Gesù from 1742. The charismatic violinist doesn’t just defy categories. Her life as an artist is fueled by omnivorous curiosity, which Pine combines with searing musical intelligence and an impeccable virtuosity—all in the service of finding a deep connection to her audience.
The span of Pine’s interests reinforces the inadequacy of the catch-all label “classical music.” Her commitment to early music alone ranges from the medieval period to rediscovered gems of the Baroque. Pine, who celebrates her milestone 50th birthday later this year, has recorded acclaimed interpretations of standard classical repertoire but is also an avid champion of contemporary composers. Her prolific discography, which comprises more than 30 albums to date, additionally documents the violinist’s passion for Chicago blues, Scottish fiddling, and heavy metal.
Strings
By Thomas May
Stickers for Metallica, Slayer, and Anthrax are emblazoned on the case that contains Rachel Barton Pine’s signature “ex-Bazzini, ex-Soldat” Joseph Guarneri del Gesù from 1742. The charismatic violinist doesn’t just defy categories. Her life as an artist is fueled by omnivorous curiosity, which Pine combines with searing musical intelligence and an impeccable virtuosity—all in the service of finding a deep connection to her audience.
The span of Pine’s interests reinforces the inadequacy of the catch-all label “classical music.” Her commitment to early music alone ranges from the medieval period to rediscovered gems of the Baroque. Pine, who celebrates her milestone 50th birthday later this year, has recorded acclaimed interpretations of standard classical repertoire but is also an avid champion of contemporary composers. Her prolific discography, which comprises more than 30 albums to date, additionally documents the violinist’s passion for Chicago blues, Scottish fiddling, and heavy metal.
Read more here.
89.1 WBOI: Sameer Patel's Return to City as Guest Conductor a Joyful Homecoming
It’s been 10 years since the Fort Wayne Philharmonic’s beloved associate conductor Sameer Patel moved to San Diego to pursue his musical adventures.
Now firmly rooted in that community, his dreams continue to unfold and he is currently Director & Orchestra Conductor for the La Jolla Symphony & Chorus, and Artistic Director of the San Diego Youth Symphony.
When WBOI's Julia Meek learned that Patel was returning to town for the Indiana Music Education Association Conference last week, to conduct the High School All State Orchestra performance, she invited him into the studio to discuss his Midwestern sensibilities and how the last decade has shaped his journey as well as his take on Fort Wayne's exploding arts and culture scene.
89.1 WBOI
By Julia Meek
It’s been 10 years since the Fort Wayne Philharmonic’s beloved associate conductor Sameer Patel moved to San Diego to pursue his musical adventures.
Now firmly rooted in that community, his dreams continue to unfold and he is currently Director & Orchestra Conductor for the La Jolla Symphony & Chorus, and Artistic Director of the San Diego Youth Symphony.
When WBOI's Julia Meek learned that Patel was returning to town for the Indiana Music Education Association Conference last week, to conduct the High School All State Orchestra performance, she invited him into the studio to discuss his Midwestern sensibilities and how the last decade has shaped his journey as well as his take on Fort Wayne's exploding arts and culture scene.
Read the interview transcript here.
KGW8: Meet two talented young musicians performing with The Vancouver Symphony Orchestra this weekend
KGW8 talks to two Vancouver Symphony Orchestra USA Gold Medal Winners and Maestro Salvador Brotons in advance of VSO USA’s Young Artist Competition concert.
KGW8
KGW8 talks to two Vancouver Symphony Orchestra USA Gold Medal Winners and Maestro Salvador Brotons in advance of VSO USA’s Young Artist Competition concert.
Watch the video here.
I Care If You Listen: 5 Questions to Trio Zimbalist (piano trio)
Formed in 2021, Trio Zimbalist is a vibrant new piano trio comprised of Curtis alumni Josef Špaček (violin ’09), Timotheos Gavriilidis-Petrin (cello ’17), and George Xiaoyuan Fu (piano ’16). The trio adopted their name from virtuoso violinist Efrem Zimbalist, who served on faculty and as director of the Curtis Institute over 40 years. Much of the trio’s formative time together took place in the room named for Mr. Zimbalist at Curtis, and their connection to the institution remains even after their time there.
I Care If You Listen
By Anne Goldberg-Baldwin
Formed in 2021, Trio Zimbalist is a vibrant new piano trio comprised of Curtis alumni Josef Špaček (violin ’09), Timotheos Gavriilidis-Petrin (cello ’17), and George Xiaoyuan Fu (piano ’16). The trio adopted their name from virtuoso violinist Efrem Zimbalist, who served on faculty and as director of the Curtis Institute over 40 years. Much of the trio’s formative time together took place in the room named for Mr. Zimbalist at Curtis, and their connection to the institution remains even after their time there.
Read more here.
Chicago Classical Review: With a new violist, the Dover Quartet delivers remarkable playing at Winter Chamber Music Festival
There have been occasions when the Winter Chamber Music Festival has really lived up to its name.
In the festival’s early days, during a Brahms piano quartet performance by Daniel Barenboim and CSO members Chicago was hit with a massive blizzard, leaving the audience to depart, musically warmed but with an hours-long drive home.
Friday’s ominous, click-bait weather reports suggested a similar fate for the evening’s festival concert by the Dover Quartet. As it turned out, the day’s early snow and rain cleared up by concert time allowing a near-capacity audience to make its mucky way to Pick-Staiger Concert Hall in Evanston.
That was fortunate for the Dover Quartet delivered a remarkable performance, one of the finest chamber events heard in recent years.
Chicago Classical Review
By Lawrence A. Johnson
There have been occasions when the Winter Chamber Music Festival has really lived up to its name.
In the festival’s early days, during a Brahms piano quartet performance by Daniel Barenboim and CSO members Chicago was hit with a massive blizzard, leaving the audience to depart, musically warmed but with an hours-long drive home.
Friday’s ominous, click-bait weather reports suggested a similar fate for the evening’s festival concert by the Dover Quartet. As it turned out, the day’s early snow and rain cleared up by concert time allowing a near-capacity audience to make its mucky way to Pick-Staiger Concert Hall in Evanston.
That was fortunate for the Dover Quartet delivered a remarkable performance, one of the finest chamber events heard in recent years.
Read more here.